巴伐利亚打猎即景

　　ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of t@魔神艳传txt@he villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With t@中国女人province@he return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a hom@nylonjp@osexual. The crippling conformity of their ingrained conservatism leads the villagers@报应电影@ to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than t@房产联盟网@he cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.